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Albinoni, Tomaso 1671-1751 aria from La Statira, soprano, 2 (Nat-) Trumpets in C, 2 oboes, strings

Product no.: ISMN M-2054-0830-5

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Aria con Tromba Nr. 16
Albinoni,Tomaso 1671-1751   
-Arie aus La Statira „Vien con nuova orribil guerra“ (1726)
Sopran, 2 (Nat-)Trompeten, in C, 2 Oben, Streicher (2 Violinen, Viola, Violoncello, Kontrabass), B.c. (Cembalo/Orgel/Klavier)

 

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Albinoni, Tomaso;  Arie con Tromba Nr. 19 "Vien con nuova orribil guerra" aus La Statira (1726) Albinoni, Tomaso; Arie con Tromba Nr. 19 "Vien con nuova orribil guerra" aus La Statira (1726)
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Albinoni, Tomaso; Arie con Tromba Nr. 19 "Vien con nuova orribil guerra" aus La Statira (1726)

Product no.: ISMN M-2054-0980-7

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Arie con Tromba No.19
Vien con nuova orribil Guerra of La Statira (1726)
for soprano, 2 trumpets, piano (harpsichord, organ)
Edited & arranged by Edward Tarr

Statira is the 41st of the 53 well-known operas. The first performance took place during the Carnival 1726 at the Teatro Capranica in Rome, the libretto by Apostolo Zeno (1668-1750) and Pietro Pariati (1665-1733). (Previously had Gasparini set to music the libretto in 1706.) The aria "Vien con nuova orribil guerra" is a battle aria. It also oboes occur, an instrument for which Albinoni in 1715 the first Italian to a collection of concerts (Op. 7) had written. In this particular aria the first trumpet and the first oboist share the role, to vie with soprano.

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Albinoni, Tomaso 1671-1751 aria from La Statira, soprano, 2 (Nat-) Trumpets in C, 2 oboes, strings Albinoni, Tomaso 1671-1751 aria from La Statira, soprano, 2 (Nat-) Trumpets in C, 2 oboes, strings
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Argast, Felix *1936 -Aria /Largo espressivo / - Prière (mit Lyrik I + II) (Faks) ArgWV 13

Product no.: ISMN M-2054-1834-2

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Argast, Felix *1936;
-Aria /Largo espressivo /
- Prière (mit Lyrik I + II) ArgWV 13

(facsimile)
As a complement to music can put forward at will, in the field of composition, the lyrics are I + II recites. (Supplement) / trumpet (or any instrument)

Difficulty: medium
Genre: Contemporary

Felix Argast comes from Switzerland, he was born in 1936 in Basel.
As an artist, he is a member of the Swiss Werkbund (SWB). As a designer, products designer, he has received many international awards and design awards.
His music studies, he graduated from the Music Academy in Basel. (Trumpet, piano, composition).
He spent several years in trumpeter Conservatory Orchestra, worked as a freelance musician in various symphony orchestras, and then went a rain solo career after. As leader of various choirs and instrumental ensembles he gained knowledge of his compositional work. He created an extensive oeuvre from practice for practice.

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Argast, Felix *1936 - ALLELUJA, AMEN ArgWV7 (Psalm 96, Psalm 100)

Product no.: ISMN M-2054-1554-9

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Argast, Felix * 1936
- ALLELUJA, AMEN ArgWV7 (Psalm 96, Psalm 100)
/ Mixed choir (SATB), 2 trumpets, 2 trombones (Bass ad lib.), Organ
(compl: score, harmony, organ, choir scores (30 copies) (facsimile)

Difficulty: medium
Genre: Contemporary

Felix Argast comes from Switzerland, he was born in 1936 in Basel.
As an artist, he is a member of the Swiss Werkbund (SWB). As a designer, products designer, he has received many international awards and design awards.
His music studies, he graduated from the Music Academy in Basel. (Trumpet, piano, composition).
He spent several years in trumpeter Conservatory Orchestra, worked as a freelance musician in various symphony orchestras, and then went a rain solo career after. As leader of various choirs and instrumental ensembles he gained knowledge of his compositional work. He created an extensive oeuvre from practice for practice.

 

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Bach,Johann Sebastian 1685-1750 - Choralbearbeitung: „Wachet auf! Ruft uns die Stimme"

Product no.: ISMN M-2054-0637-0

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Voce con Tromba No .. 30
Choralbearbeitung: "Awake the voices call us!" BWV 645;
Trumpet in C / Bb, soprano or tenor, organ / piano /
Ed. & Arr. By Wolfgang G. Haas

 

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Bach,Johann Sebastian 1685-1750 -Aus der Kantate BWV21, „Seufzer, Tränen, Kummer, Not“

Product no.: ISMN M-2054-0273-0

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Voce con Tromba No.. 19
Bach, Johann Sebastian 1685-1750
-From The cantata BWV21 (
Lord, my God, my heart and soul were sore distressed)
„Ich hab viel Bekümmernis“, zum 3. Sonntag nach Trinitatis und für alle Zeit Arie Nr. 3 „Seufzer, Tränen, Kummer, Not“,
/ Soprano / (Tenor), Trumpet en Bb/C, Organ
Edited and arranged by Paul Wißkirchen & Wolfgang G. Haas
 

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Bach Johann Sebastian;. Seufzen, Tränen, Kummer, Not: from the Cantate BWV 21, 3 Bach Johann Sebastian;. Seufzen, Tränen, Kummer, Not: from the Cantate BWV 21, 3
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Bach,Johann Sebastian 1685-1750 -From Kantate BWV77,5 „Du sollst Gott, deinen Herrn, lieben“

Product no.: ISMN M-50000-245-1

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"Du sollst Gott, deinen Herren, lieben"
From Cantata BWV 77
Arie „Ach, es bleibt in meiner Liebe“
for Alt (Soprano), trumpet in C (A) & Piano (organ / harpsichord)
edited by Paul G. Haas Wißkirchen & Wolfgang

Johann Sebastian Bach wrote the cantata
"Du sollst Gott, deinen Herren, lieben" between the years 1723 and 1727. The librettist of this cantata, Dominica 13 post Trinitatis (from dreizehneten Sunday after Trinity), is unknown. One of the rare arias for trumpet, alto and continuo we find in this cantata BWV 77th.

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Bach,J.S.; Bach,J.S.; "Ach es bleibt in meiner Liebe", BWV 77 Bach,J.S.; Bach,J.S.; "Ach es bleibt in meiner Liebe", BWV 77
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Bach,Johann Sebastian „Ach es bleibt in meiner Liebe“ BWV 77,5, ADE-TRIO 2 Bach,Johann Sebastian „Ach es bleibt in meiner Liebe“ BWV 77,5, ADE-TRIO 2
16.50 € *
Bach,Johann Sebastian; Aus der Kantate BWV77,5 „Du sollst Gott, deinen Herrn, lieben“ Bach,Johann Sebastian; Aus der Kantate BWV77,5 „Du sollst Gott, deinen Herrn, lieben“
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Bach,Johann Sebastian 1685-1750 -Aus der Kantate: BWV5,5 Wo soll ich fliehen hin,

Product no.: ISMN M-2054-1081-0

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Voce con Tromba No.. 35
Bach, Johann Sebastian 1685-1750
-From The cantata: BWV5,5

Wo soll ich fliehen hin,
Aria “Verstumme, Höllenheer” / bass, trumpet Bb / C, B. c.

Johann Sebastian Bach
From Cantata: Wo soll ich fliehen hin Aria No. 5 "Verstumme, Höllenheer" BWV 5.5 for bass-Solo, trumpet in C, and Bc. Edited and arranged by Wolfgang G. Haas The first performance of the cantata: "Wo soll ich fliehen hin", BWV 5 took place on 15 October 1724th

The text comes from an unknown poet. The cantata was written for the 19th Sunday after Trinity and performed in Leipzig.

The composition
With Tromba, who has given the composer a Tromba da tirarsi (slide trumpet)  in Bb.
It is a Bb and a C-Part in the publication.

 

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Deutschmann, Gerhard *1933 Lass' dir an meiner Gnade genügen: Männerchor, Brass Quartet

Product no.: ISMN M-50000-801-9

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Deutschmann, Gerhard *1933
Lass' dir an meiner Gnade genügen
DWV 85

Männerchor (T.T.B.B.), Brass Quartett: 2 Trompeten in C, 2 Posaunen

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Deutschmann, Gerhard,Lass' dir an meiner Gnade genügen: Männerchor, Brass Quartett: CHORPARTITUR
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Deutschmann, Gerhard *1933 Pater noster: für gemischten Chor SATB und Blechbläser

Product no.: ISMN M-50000-817-0

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Deutschmann, Gerhard *1933
Pater noster:
für gemischten Chor SATB und Blechbläser

(2 Trompeten und 2 Posaunen) DWV 87
Partitur als Chorstimme und Instrumentalstimmen
Textsprache: Latein

PARTITUR, STIMMENSATZ

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Deutschmann, Gerhard *1933 Pater noster: für gemischten Chor SATB und Blechbläser DWV 87
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