Gerigk, Manfred OP * 1934 -Three interludes GerWV13
for Trumpet in B / C (oboe or clarinet), organ / piano
Total / 10: 25 (02: 50 / 04:20 / 02: 15)

About the Composer
Father Manfred Gerigk of the Dominican Order was born in Danzig (1934). After World War II, he
was a student at the High School in Oldenburg (Low Saxony). He received his basic musical orientation at home. He studied composition by self education, assisted by the musical theory of Hindemith.
He plays violin, piano and organ.
In 1963, he went for 36 years as a missionary to Bolivia. There he taught musical theory at the
teacher-training college of Santa Cruz.
The extensive list of his compositions contains works for orchestra, choral music and a varied series
of chamber music.
The composer says: “For me, music is a play that gives me great joy. I want to communicate this joy.
There is so much sadness in life and world. Nobody needs desperate music. That’s my modest musical
creed.”

Gross, Joseph Arnold 1701-1783
-Concerto Á Clarino D-Dur
for (Nat-) Trumpet, Strings, Bc
Part, Trumpet in D, Strings: 2 violins, viola, cello, double bass, Bc (Wolfgang Basch)

Joseph Arnold Gross (1701 - 1783) was a prominent Court Trumpeter at the Electoral court in Munich. In 1746 he was granted an increase in pay under the condition that he serve as "Konzertmeister" in ballet performances. A year later he was appointed "Spielgraf", with duties extending to the licensing and administration of the activities of itinerant musicians in Bavaria. Such musicians were required to be licensed in order to play for weddings, fairs, and other festivities – and the fees for these licenses were a welcome source of extra income for those court trumpeters, including Gross, who occupied the position of Spielgraf until it was abolished in 1775. Gross must have been an exceptional trumpet player and an excellent violinist, his compositions include some two hundred fanfares and a Trumpet Concerto.

Bologneser Schule - San Petronio Nr.03
Andrea Grossi um 1660 - nach 1696
Sonata Decima D-Dur Op. 3,10
für Trompete in D/ A, Streicher: 2 Vl, Va, Vc, Kb und Basso continuo
Haas (Hrsg. Bearb.) Wolfgang G.

 

ADE-TRIO Nr. 10
Haas, Wolfgang G. *1946
-A-D-E-Sonanz HaasWV62
für Trompete in C /B, Viola (Violine/Flöte/Oboe), B.c.

Jubiläumsausgabe 25 Jahre Wolfgang G. Haas-Musikverlag Köln
Haydn,Joseph 1735-1809
-Concerto für Trompete und Orchester
Partitur: ISMN M-2054-1423-8, 30,50 €

Mietmaterial-Orchester
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1. flute; 2. flute; 1. oboe; 2. Oboe; 1. bassoon; 2. bassoon;
1st horn in F; 2.horn in F
1st trumpet; 2. Trumpet; timpani;
Violin I; Violin II; Viola; Violoncello; double bass

ADE-TRIO No. 57
Johann David Heinichen 1683-1729
Sonate
- Affettuoso
- Allegro (Fuga)
- Adagio - Grave - Adagio
- Vivace
für Trompete in C / Es (Oboe, Flöte),
Viola (Violine), Cembalo
edited and arranged by Wolfgang G. Haas

Die vorliegende Sonate ist in der Handschrift Johann Sebastian Bachs überliefert. Der Titel lautet Sonata a 3 Voc. di Heinichen. In der Vorliebe für Bläserwirkungen, zugleich aber auch für Tiefenspannungen im Streicherklang zeigt sich Johann David Heinichen, der Dresdener Hofkapellmeister, als ein echt deutscher Meister, dessen barocke Verwurzelung gerade diese Sonate mit ihrem reichen motivischen Geflecht eindeutig ausprägt. Die Satzfolge lautet: - Affettuoso, - Allegro (Fuga), - Adagio - Grave - Adagio, - Vivace. Die Dynamik ergibt sich aus der thematischen Entwicklung der Sonate und ist hier vom Herausgeber lediglich ein Vorschlag, der individuell ergänzt werden kann.

Humphries, John 1707c-1745c
Trumpet Concerto in D major
(Natural) trumpet D / C / Bb, Strings 1.1.1.1.1 .:
2 violins, viola, cello, Kotrabass, Basso continuo

ADE-TRIO no. 4
Händel, Georg Friedrich 1685-1759
-Samson: Let the bright Seraphim:
Aria from the oratorio "Samson" HWV57
Trumpet in C / A, Viola (Vl, Fl, Ob), B.C.
 

Händel, Georg Friedrich 1685-1759
Suite of il pastor fido for 2 Trp (or 1Trp and oboe), Organ / Piano

For the first time heard Handel's "Il pastor fido" on November 22, 1712 London Queen's (1714 King's) theater. Handel was just 27 years old. The roots of the Italian pastoral opera rich to antiquity. Was the first version still under the Italian influence the performance of the second version took place on 18 May 1743 radically revised form. Surprisingly, it turned Handel in the same year, despite a substantial success of the 2nd version (which after 13 performances experienced) on 9 November 1734, a third version of his opera before.
The present Suite from "Il Pastor Fido" Paul worked Wisskirchen for the ensemble TRUMPET AND ORGAN COLOGNE, the first time in 1993 in Altenberg Cathedral (Cologne) premiered this suite. The soloists were Barbara host, Oboe, Paul Wißkirchen, organ and Wolfgang G. Haas, trumpet. Another Auffühungsvariante with 2 trumpets and organ played the ensemble with Edward H. Tarr. Meanwhile, the Suite is one of the repertory works of many international ensembles.

Reihe: ADE-TRIO Nr. 6
-Suite aus „Amadigi“ HWV 11
Arie „Destro dall’  empia dite“
Sinfonia und Arie „Sento la gioja“
für Trompete, Viola, B.c. (Cembalo, Orgel, Klavier)