Brass Journal plus, Archiv ab 1988 - Nr. 8
2009_BJp_Nr_3        Brass Journal plus, 2009, 24. Jahrgang Heft 3 ISSN 2193-7893 PAPER
Publisher    Wolfgang G. Haas-Musikverlag Köln e. K.
ISSN         2193-7893
Issue        0, I - 2008
Format        A 4    Seiten: 16    
    Inhaltsverzeichnis:
Autor                            Titel                                                                      Seiten

• Wolfgang G. Haas  Editorial                                                                   3
• Albert Hiller         - Musik aus Trompetenautomaten,
•                            Inspirationen für die Aufführungspraxis Alter Musik    4
• Edward H. Tarr  - Arie con Tromba, Herausgaben                                 6
• Wolfgang G. Haas - Das Portrait - Bernhard Krol    
•                            ein bemerkenswerter Vertreter der deutschen Musikszene  8
• Franz Liszt        - Brass Journal plus - Albumblatt Nr. 3    
•                            Ungarische Rhapsodie Nr. 15, Klavier
• Albert Hiller         Sammler aus Leidenschaft                                         10
• Alexander Wolf   Musica sacra romantica
•                            Der Komponist und Kirchenmusiker Alexander Wolf  12
• Wer-Wo-Was?    Nachlese - Letzte Meldungen                                    14

Arie con Tromba Nr. 13 
Predieri,Luca Antonio 1688-1767  
-Arie aus Zenobia:“Pace uns volta“
/ Solo -Sopran,Trompete B/C, Streicher: 2 Violinen, Viola, Violoncello, , Basso continuo

Note the publisher
This edition was used for the CD recording in 1996 with Susanne Rydén (soprano), Niklas Eklund (baroque trumpet) and London Baroque (Charles Medlam, Edward H. Tarr) on Naxos 8.553735
(The Art of the Baroque Trumpet, Volume 3).

Arie con Tromba Nr. 15
Caldara, Antonio 1670-1736
-Arie aus „Ifegenia in Aulide“: „La Vittoria Segue“
Soprano, Trumpet, Orgel /Piano
edited & arranged by Edward Tarr

Arie con Tromba Nr. 18
Händel,Georg Friedrich
-aus Ode für den Geburtstag der Königin Anne
„Eternal Source of Light Divine“ HWV74
für Solo-Alt (Tenor), Trp, Str, Bc.
 

Arie con Tromba Nr. 20
Händel,Georg Friedrich
-aus Ode für den Geburtstag der Königin Anne
„Eternal Source of Light Divine“ HWV74
für Solo-Alt (Tenor) Trp, P (Cemb /Org)
 

Arie con Tromba Nr. 18a
Händel, Georg Fr.
(transponierte C-Dur-Fassung)
"Eternal Source of Light Divine" aus Ode fur den Geburtstag
der Königin Anne (HWV 74) für Alt oder Tenor, Trompete, Streicher und B. c.
herausgegeben und bearbeitet von Edward H. Tarr

Bolognese School - San Petronio
Gabrielli, Domenico 1651-1690
-Sonata no. 7 (D.XI.9) a due Trombe, 2 (Nat-) Trumpet in D (B / A), Strings, Bc.
ISMN M-2054-1279-1
edited by Edward H. Tarr

 

Bolognese School - San Petronio
Gabrielli, Domenico 1651-1690
(Natural) Trumpet in D / (piccolo) trumpet in A & accompaniment (by a simple set of parts and basso continuo.
edited by Edward Tarr

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Bolognese Trumpet Sonatas
When construction began in 1390, the Basilica di S. Petronio was intended to become the largest in all Christendom. In the 1660s that idea was finally given up. The church is nevertheless enormous. The nave, which was to have become the transept, is 132m long and 44m high; with the aisles the basilica is 60m wide.
From 1665 well into the following century, Bologna composers produced an unusually large number of sonatas or sinfonias for one, two, or four trumpets with strings. They were performed during Mass, chiefly on October 4, the feast day of Petronius, Bologna’s patron saint. The number of performers on these festive occasions increased greatly through the hiring of outside musicians, among them one to four trumpeters. At least once there were 180 performers, including the choir. On the festival of St. Petronius in 1687 there were 106 musicians, of whom 31 were in the orchestra. The number of performers thus corresponded to the vastness of the basilica. We are convinced that composers introduced the trumpet for acoustical reasons beside the obvious symbolic ones: in the huge church it is the only instrument whose sound carries clearly.