Genin, Vladimir; Kaffee a Duo Suite für Trompete B/C, Klavier, No. 2 Cold Mocca

Russian Music - Moscow
     -Coffee A duo Suite for Trumpet B / C, Piano
  
     -No. 2 Cold Mocca, ISMN M-2054-0861-9
  
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   -No. 1 Double espresso, ISMN M-2054-0860-2
   -No. 3 Amaretto Mafioso, ISMN M-2054-0862-9



Consider these compositions:
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Genin, Vladimir * 1958

Born into a family of artists Moscow, he came in 1997 to Germany and has since lived in Munich. Graduate of the Tchaikovsky Conservatory which he graduated with honors. He received the composing with Prof. Roman Ledenev and pianistic with Prof. Ilya Kljachko. He has worked as a freelance composer and music teacher.

He is the author of symphonic, choral and chamber works that have been published have in Russia, Europe and the United States and on records (CDs). Repeated his works in festivals of modern music 'Moscow Autumn' and festivals of the Munich company Vedas played for New Music.

     BRASS QUARTET
     Russian Music - Moscow
     "The Trumpets of the Angels" Five Hymns for Brass (2 trumpets in B, trombones (baritone), tuba), ISMN M-2054-0865-7

     TRUMPET & PIANO
     COFFEE A DUO - Suite for Trumpet in B / C & piano
    - Nr. 1 Double espresso, ISMN M-2054-0860-2 Trp in B / C & piano
    - Nr. 2 Cold Mocca, ISMN M-2054-0861-9 Trp in B / C & piano
    -. # 3 Amaretto Mafioso, ISMN M-2054-0862-9 Trp in B / C & piano

     KLAVIERTRIO
    - Double Espresso Plus for piano trio (violin, cello, piano), ISMN M-2054-0863-3

       
     SAXOPHONE TRIO
         "Voices, voices. Listen, my heart ... "for saxophone trio (soprano saxophone, alto saxophone, baritone saxophone), (3 game scores), ISMN M-2054-0866-4
       
     -Passacaglia For Flute & Piano, ISMN M-2054-0864-0
     "Passacaglia with their fateful, inevitable return of the ostinato bass had for me has always been something fascinating. In my piece I wanted to reflect the whole bundle of strong feelings, attractive images, musical associations, which causes a passacaglia, and a spiritually focused statement about Passacaglia create without the real Passacaglia -. Not to use the contour shape of the mold itself, but inexorable inability to escape the fate for me was of real importance Hence my composition is more of a farewell, a ghostly form of the famous baroque form a kind. tribute to Passacaglia. "