•                 Das Interview  Wolfgang G. Haas-Verlag ist 25 Jahre tätig, Teil 2 4
• Wolfgang G. Haas - 30. Internationales Musikfestival Sanlúcar de Barrameda 6
• WGH - Theodor Leschetizky (Leschetitzky) zum 180. Geburtstag 8
•      des Komponisten, Virtuosen und Pädagogen
• Das Albumblatt Nr. 6 David Buhl: aus Six premières Fanfares
• Edward H. Tarr - Die Trompetensonaten von Domenico Gabrielli 10
•      Komponist und Instrumentalist
• WGH - Trompeten in der Kammermusik Italiens  (17. / 18. Jahrhundert)            12

2 TROMPETE(N) UND ORGEL KÖLN,
Aus dem Dom zu Altenberg
Werke von:
Vejvanovský | Albrici, | Gabrielli | Vivaldi | Manfredini | Deutschmann | Krol | Schroeder | Musiól |

 -Trompete und Orgel Köln, Folge 1
    -EDWARD H. TARR, Trompete
    -WOLFGANG G. HAAS,Trompete
    -PAUL WISSKIRCHEN, Orgel
    -ROLF MÜLLER, Orgel

Gesamtspielzeit: 66:05

Pavel Joseph Vejvanovský -Intrada und Sonata Vespertina
Vincenzo Albrici  -Sonata
Domenico Gabrielli  -Sonata á due trombe
Antonio Vivaldi  -Concerto in C
Francesco Manfredini  -Concerto con due trombe
Gerhard Deutschmann -Bachinerie
Gerhard Deutschmann -Wachet auf! ruft uns die Stimme
Bernhard Krol  -Altenberger Adagio
Hermann Schroeder  -A due (Largo - Allegro)
Robert Musiól  -Weihnachts Fantasie
Gesamtspielzeit: 66:05

LC-18457, HCC 2004 012

Brass Journal plus, Archiv Nr. 24
Artikelnummer:  2014_BJp_Nr_1-2        
Brass Journal plus, 2014, 29. Jahrgang Heft 1 und 2 ISSN 2193-7893 PAPER und E-Book
Publisher    Wolfgang G. Haas-Musikverlag Köln e. K.
ISSN         2193-7893
Format        A 4    Seiten: 20    
    Inhaltsverzeichnis:
      Autor                            Titel                                                                                           Seiten

• Wolfgang G. Haas    - Maija Einfelde, herzlichen Glückwunsch zum 75. Geburtstag    4
• Wolfgang G. Haas    - Post bringt die Naturistrumente auf die Straßen                         6
• Wolfgang G. Haas    - Ein Wort über den Komponisten Jiří Laburda 1. Teil                  8
• Nikolajevna Budanova, Tatjana Im Fokus “Missa Cum cantu populi“ für Volksgesang,
•                           gemischten Chor, Trompete, Orgel und Streichorchester LabWV 185,
•                           Messe entstanden im Feld des 2. Vatikanischen Konzils.     
• Albumblatt Nr. 21 und 22: Giov. Gabrieli, Canzona Terzs für ADE-TRIO Nr. 45
• Tarr, Edward H.       - Domenico Gabrielli 1659 - 1690 7 Trompetensonaten                 12
•                                 von Domenico Gabrielli Die Urtextausgaben sind komplett verfügbar.
• ______________________
• aktuell gesehen- Wer-Wo-Was?- Rückspiegel- Letzte Meldungen
• - Plus 4 Seiten (in der Mitte) “Albumblatt Nr. 21 und 22“ zum herausnehmen und spielen.

Trompete und Orgel Köln, Folge 4

Aus dem Dom zu Altenberg

Untertitel:TROMPETE UND ORGEL - VIRTUOSE BAROCKMUSIK
Komponisten: Gottfried Reiche, Simon Stubley, John Stanley, John James, Händel, Georg Friedrich, Jeremiah Clarke, William Boyce, Giuseppe Aldrovandini, Giuseppe M. Jaccini, Domenico Gabrielli, Johann Sebastian Bach, Philipp Rameau
Label: Wolfgang G. Haas Musikverlag HCC 2001 007
Gesamtspielzeit: 49:06
Aufnahmetechnik: DDD
Produktion: 2001
Interpreten: WOLFGANG G. HAAS, Trompete und PAUL WISSKIRCHEN, Orgell
Instrument: Klais-Orgel im Altenberger Dom

Eingespielte Werke

Gottfried Reiche -“Abblasen”
Simon Stubley -Trumpet Voluntary
John Stanley -A Suite of Trumpet Voluntaries
John James -2 Trumpet Voluntaries
Händel, Georg Friedrich-Trumpet Voluntary
Jeremiah Clarke -English Suite
William Boyce -A Suite of Trumpet Voluntaries
Giuseppe Aldrovandini -Sonata con Tromba e Organo
Giuseppe M. Jaccini -Sonata con Tromba e Organo
Domenico Gabrielli -Sonata con Tromba e Organo
Johann Sebastian Bach -BWV 22, -BWV 143
Philipp Rameau -Suite Nr. 1

Bolognese School - San Petronio
Gabrielli, Domenico 1651-1690
(Natural) Trumpet in D / (piccolo) trumpet in A & accompaniment (by a simple set of parts and basso continuo.
edited by Edward Tarr

___________________________________________________________________________________
Bolognese Trumpet Sonatas
When construction began in 1390, the Basilica di S. Petronio was intended to become the largest in all Christendom. In the 1660s that idea was finally given up. The church is nevertheless enormous. The nave, which was to have become the transept, is 132m long and 44m high; with the aisles the basilica is 60m wide.
From 1665 well into the following century, Bologna composers produced an unusually large number of sonatas or sinfonias for one, two, or four trumpets with strings. They were performed during Mass, chiefly on October 4, the feast day of Petronius, Bologna’s patron saint. The number of performers on these festive occasions increased greatly through the hiring of outside musicians, among them one to four trumpeters. At least once there were 180 performers, including the choir. On the festival of St. Petronius in 1687 there were 106 musicians, of whom 31 were in the orchestra. The number of performers thus corresponded to the vastness of the basilica. We are convinced that composers introduced the trumpet for acoustical reasons beside the obvious symbolic ones: in the huge church it is the only instrument whose sound carries clearly.
 

Escuela boloñesa - San Petronio
Gabrielli, Domenico 1651-1690
editado por Edward Tarr
(natuaral) trompeta en Re / (piccolo) trompeta en A & acompañamiento (por un simple conjunto de piezas y bajo continuo.
______________________
El Urtextausgabe con la puntuación y el material fundido completa está disponible para todas las sonatas.
Sonata no. 1 (D.XI.3) / [natural] trompeta en Re (A), Piano

___________________________________________________________________________________
Bolognese Trumpet Sonatas
When construction began in 1390, the Basilica di S. Petronio was intended to become the largest in all Christendom. In the 1660s that idea was finally given up. The church is nevertheless enormous. The nave, which was to have become the transept, is 132m long and 44m high; with the aisles the basilica is 60m wide.
From 1665 well into the following century, Bologna composers produced an unusually large number of sonatas or sinfonias for one, two, or four trumpets with strings. They were performed during Mass, chiefly on October 4, the feast day of Petronius, Bologna’s patron saint. The number of performers on these festive occasions increased greatly through the hiring of outside musicians, among them one to four trumpeters. At least once there were 180 performers, including the choir. On the festival of St. Petronius in 1687 there were 106 musicians, of whom 31 were in the orchestra. The number of performers thus corresponded to the vastness of the basilica. We are convinced that composers introduced the trumpet for acoustical reasons beside the obvious symbolic ones: in the huge church it is the only instrument whose sound carries clearly.
 

Bolognese School - San Petronio
Gabrielli, Domenico 1651-1690
- Sonata No. 2 (D.XI.4) / (Nat-) Trumpet in D / A, Strings, Bc,
edited by Edward H. Tarr

Bolognese School - San Petronio
Gabrielli, Domenico 1651-1690 Sonata no. 3 (D.XI.5) / (Nat-) Trumpet in D / A, Strings, Bc.,
edited and arranged by Edward H. Tarr